#Antares autotune evo settings full#
#Antares autotune evo settings pro#

That works fine in most cases.ДЄuto-Tune ProвЂ™s rather lengthy scale list.ДЇor example, letвЂ™s say the singer hits an A that is sharp enough that itвЂ™s closer to the Bb above it than to the A. Greg says that he sometimes will just use the Chromatic setting, which tells Auto-Tune to pull each note to the nearest semitone. If you have the wrong key or scale set, the plug-in may pull the notes to the wrong destinations. Setting the correct key is vital, as it lets Auto-Tune know the correct pitches to move the notes to.

#Antares autotune evo settings pro#

( Auto-Tune Pro also lets you edit scales, and you can even let it automatically detect the key and scale when you use it in tandem with the helper plug-in, Auto-Key.) Auto-Tune contains a pull-down menu with a vast number of scales, but in most cases, youвЂ™ll probably use either minor, major or chromatic. The song is in F Major and thatвЂ™s what he sets it for. With Auto-Tune, you also need to set the key and scale of the vocal youвЂ™re tuning. Referring to his Tracking setting, he says thatвЂ™s like a вЂњhalf a glass of red wine.вЂќД«etween the Retune Speed and Tracking settings, heвЂ™s set the plug-in to be fairly restrained in which notes it tunes and how fast it tunes them. For the first line of the vocal that Greg is working on, he sets the Tracking to be more Choosy than Relaxed, which means it will have a higher threshold for determining that a note needs to be tuned. It governs how picky Auto-Tune will be in determining which parts of the incoming signal to tune. He jokes that setting it this way is like giving the singer, вЂњOne glass of red wine.вЂќДЄnother parameter Greg adjusts is called Tracking. That isn't particularly fast, and certainly wonвЂ™t produce the Auto-Tune Effect. In the case of BryceвЂ™s vocal, Greg decides to set the Retune Speed to a setting of 109, for the first phrase.

#Antares autotune evo settings full#

If you set the speed to its fastest setting, 0, you get the вЂњ Auto-Tune Effect,вЂќ the one used on so many R&B and pop songs, which makes the vocal glide from note to note in an intentionally obvious way.Д®X 1b: HereвЂ™s the same vocal with Auto-Tune ProвЂ™s Retune Speed set to full to create the Auto-Tune Effect. The Retune Speed parameter, expressed in milliseconds, determines how quickly Auto-Tune corrects a note thatвЂ™s out of tune. SET IT GOODДЄs heвЂ™s getting his settings figured out, Greg decides that the default Retune Speed on Auto-Tune is too fast for his taste, and is making the effect too noticeable.

You want to have the option of going back to the unprocessed copy, if need be. ItвЂ™s always important to make a backup of the track or the project when youвЂ™re doing destructive editing. In Logic, the process is called вЂњSelection-Based Processing.вЂќ Most DAWs offer something similar. For those unfamiliar with Pro Tools, AudioSuite effects are not inserted on a channel but are applied destructively to selected audio regions. He works on one phrase at a time and renders his changes to the audio file as he goes along. YouвЂ™ll notice in the excerpt that GregвЂ™s workflow with Auto-Tune in Pro Tools entails using it as an AudioSuite effect. You can open Auto-Tune as a track insert or use it as an AudioSuite (rendered) effect. ItвЂ™s also always helpful to have a keyboard instrument within reach when youвЂ™re tuning-it could be a real or MIDI piano-that you can use to identify notes from the vocal or figure out the correct destination for a particular note.Д«ack to Greg, he says his essential philosophy on using Auto-Tune is that it shouldnвЂ™t be detectable by the listener unless youвЂ™re using it as an effect, such as on R&B vocals with вЂњthe Auto-Tune Effect.вЂќ If you set it subtly, you can tighten up the vocal intonation without anyone knowing that you did. You can make better tuning decisions if you have some harmonic context. Not for Auto-Tune, which has its own internal tuning reference, but for your ear. A good reason to leave at least one instrument on when youвЂ™re tuning is to provide a pitch reference. (Note that heвЂ™s using Auto-Tune 8, and the examples and graphics in this article use Auto-Tune Pro, the most recent version.) GETTING IT JUST RIGHTДЄs Greg is working on tuning the vocal track, he sometimes listens to the voice soloed, but more often with the guitar and piano in. In this excerpt from Episode 6 of вЂњGreg Wells Start to Finish,вЂќ Greg shows us his workflow and discusses his strategies for setting Antares Auto-Tune.

Depending on the intonation of the singer, the tuning process can be painstaking and require many parameter adjustments along the way. Tuning vocals is an art form that often entails a lot more than just inserting a pitch correction plug-in on a vocal track and hitting play.